PUTRID MARSH New York, New York
ALL SOUNDS CONJURED AND CAPTURED BY THE RECLUSIVE GOBLIN
M. SKATTUM
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Old Nick - A New Generation Of Vampiric Conspiracies
by Old Nick
supported by 25 fans who also own “SNEAK THROUGH THE SWAMP”
Synthy, ultra processed black metal. It's a little goofy, but it makes for a nice change of pace from my usual fare.
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Old Nick - Flying Ointment
by Old Nick
supported by 20 fans who also own “SNEAK THROUGH THE SWAMP”
Je ne sais pas exactement comment traduire le titre Flying Ointment. Ma première hypothèse, c'est "Pommade qui donne la faculté de voler" et elle fait sens parce que le synthé a un rôle plus important ici et, malgré quelques phases cauchemardesques, les ambiances sont mystiques et libératrices. Mais, sachant que Old Nick prend un malin plaisir à rendre ce remède inaccessible, caché derrière un raw black metal technique (practitioner arrache tout !), il s'agit peut-être d'une "Pommade volante"...
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supported by 20 fans who also own “SNEAK THROUGH THE SWAMP”
A dreamy, beguiling, nostalgic dungeon synth quest through the shires. But, it's so much more than that. The LP incorporates some unique key changes, field recordings and a lot of Mort Garson style synth work. It sometimes reminds me of old 70's PG horror soundtracks. The record is addictive melancholy inspiration. The ideal music for accompanying the dawning morning of an epic adventure.
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Froststorm Keep
by The Ashen Knight
Dungeon synth from Missouri that conjures dazzling & fantastic worlds in its eerie melodies.
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Imagination Never Fails
by Erang
The French Dungeon Synth maestro returns with an LP that reinvents his sound.
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After The End
by Gaze Into The Void
Hattiesburg, PA's Gaze Into The Void finds the soothing within the haunting on their latest dreamy dark ambient album.
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supported by 19 fans who also own “SNEAK THROUGH THE SWAMP”
De l'importance du titre ou Comment une juxtaposition de mots savamment choisis permettra à l'auditeur attentif de repérer chez Old Nick une transition vers un cadre spatio-temporel plus proche de l'ère victorienne gothique, confirmée par les clavecins et cuivres au synthé, mais aussi de parodier le contexte susmentionné, parodie amplifiée par un raw black metal chaotique : un essai au sujet de T.N.O.T.A.A.T.P.B.T.Q.A.S.F.A.B.O.O.T.D.O.S.S.T.T.E.V.H.S mené par Sir Jordan Vauvert en l'an 2024.
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